By The Sampadak Express
Vicky Kaushal’s Chhaava tells the story of Chhatrapati Sambhaji Raje, a historical figure often overshadowed by the legacy of his father, Chhatrapati Shivaji Maharaj. While the film has the right intent—shedding light on Sambhaji’s life and struggles—it doesn’t quite hit the emotional mark, leaving the audience longing for more.
The film begins with an over-the-top introduction to Chhaava (Kaushal), complete with slow-motion shots, blood-soaked visuals, intense sword fights, and dramatic close-ups. While it’s clear that director Laxman Utekar aimed to make a visually striking entry, the execution feels forced, reminiscent of the style in 300, but without the same impact. This long, drawn-out sequence drags on and sets a tiring tone for the rest of the movie.
As the story progresses, the pace picks up in the second half, which finally brings some coherence to the chaotic first half. Akshaye Khanna delivers a strong performance as Aurangzeb, his presence felt more through his piercing gaze and subtle body language than through dialogue. However, Rashmika Mandanna’s portrayal of Chhaava’s emotional anchor falters due to an underdeveloped character arc that limits her role to mostly showcasing her expressive eyes.
The film struggles with its execution, particularly in its jumbled timeline and the constant switching between events, which makes the narrative feel disjointed. The battle scenes, although intense, begin to feel repetitive, and the frequent deaths and shifting focus on various characters leave the viewer disoriented. The background score, meanwhile, overpowers the dialogue and emotions, detracting from the scenes’ impact.
Despite these flaws, Chhaava isn’t entirely without merit. Vicky Kaushal’s sincere portrayal of the warrior king stands out, giving life to a character whose story has often been overlooked. His performance is the film’s strongest suit, and his dedication to the role is evident.
The film’s climax, one of the most brutal and disturbing sequences in recent cinema, mirrors the intensity of The Passion of the Christ. The graphic violence is meant to depict Sambhaji’s unwavering loyalty to his people, though it might be too intense for some viewers.
In the end, Chhaava is not a lost cause. While it struggles with pacing, structure, and emotional depth, it shines through Vicky Kaushal’s commitment to his craft. The film may not break new ground, but it successfully navigates mainstream cinema while staying true to its core narrative. Watch it for Kaushal’s unforgettable performance.
